Timothy Oulton is an iconic Interior Designer. Blessed with the “Midas” touch with visionary original conceptual designs that resonate taste, style, luxury to a bionic level, sort after by a kaleidoscope of discerning clients as his inventive furniture products fall effortlessly into their homes…this is the interior designer who anyone in the known has on speed dial. Today we bring you guys an exclusive interview our partner Louis Mariette.
I like to think our clients are special, usually a bit daring. Some know exactly what they want and how to fit us into their home, while others just like the overall feeling or impression they get from our collections and style, but are not sure where to start. Either way, it’s important that it’s their vision – it’s their “home”. One of our recent projects was the Blue Room at the Los Angeles Athletic Club, it’s a real institution in the city. The team there asked us to provide somewhere for people to meet, relax, do business, but in the context of a club with a great and storied history. We used our furniture mixed in with a whole load of vintage memorabilia we found in their basement to really pay homage to the club’s heritage. We wanted to create this piece of history, a sensory overload, it’s not like anything else in the building.
Not so much nervous – we generally try to get to know our clients well through the process. Often it comes together in pieces over time, and we work on it together. So not really nervous, but we do get excited.
We are always trying to do the “next thing”, to test ourselves. So usually it’s the last thing we’ve done. I mentioned the LA Athletics Club as a recent highlight – such a privilege to work with them. But in the last year, we’ve also had other great projects. We refresh our stores regularly, with new layouts. We’ve opened stores in Auckland and Dubai, and each one is different. And we also have been working on the Dome Home. It’s really special. We built it as a sort of creative hub for our designers to come together, have some downtime, and we entertain a lot of visitors there. It’s a certified passive house, built entirely from timber, with the interior paneling in reclaimed English pine. Domes have been around for thousands of years but we wanted to do something different, modern. The concept is that we can build it and then ship it anywhere in the world. The furniture inside echoes the dome, the custom kitchen hugs the curved wall, the Shabby sofa is curved and there’s a round marble table that we all sit around and eat at together.
We’d like to be in the best 50 cities in the world. Whether you’re in L.A., Amsterdam or Beirut, we want you to have the same experience walking into any of our galleries, a feeling that’s very distinctive. Our gallery ambassadors are really dynamic – they’ve all been to visit our workshops and see how we make things; they’ve watched the craftsmanship in action, and they’re passionate about telling those stories. They’re supported by a small team zipping around the world helping with visual merchandising and styling, store development, and events.
I’m very hands-on, it’s just always been the way I’ve done things. Business is all about people, and our suppliers are very important to us, to get just the effects we are trying to create. We have a pretty big network now, so I can’t be everywhere. But especially for new materials and collections, I’m directly involved. It’s in my blood. I just want it to be the best it can possibly be, so I have to get involved. I have a great team, like-minded people who share that passion, and we’re all working towards the same thing. We talk about best on the planet – that’s our battle cry in everything we do.
British heritage is really important to us. When I was working in the antique industry I fell in love with British craftsmanship, things that were built to last, built for empire, almost. It wasn’t the empire that was important, it was the vision and commitment to quality, to the future, that struck me. My dad was a major in the British Army, I was lucky enough to go to a great school in the UK – and those things stay with you. People sense that in your work. People want things that have authenticity and purpose, and that resonates with people in Moscow or New York just as much as it does with someone in London.
We’ve been talking about this idea of hosting being a lost art, an art that we want to revive. At the end of the day, it’s about having people to your home. We’re holding a sort of global dinner party odyssey; four very different dinner parties in China, L.A, New York and Amsterdam, with each one built around our collections. After a worldwide search, we’ve appointed a Dinner Party Critic to travel to each event and review the whole experience, not just the food but the atmosphere, interior, music, and conversation. We’re also getting ready to launch the 2016 collection in January and more projects are on the near horizon, there are lots of exciting things happening right now.
“The new collections have a very distinctive energy that sort of radiates from within. The shapes and materials we’ve used are bold and dynamic, but they’re also cozy and inviting at the same time.”
To know more about this amazing designer, please visit: Timothy Oulton
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