LATIN GRAMMY WINNER PIANIST KRISTHYAN BENITEZ

LATIN GRAMMY WINNER PIANIST KRISTHYAN BENITEZ

Latin Grammy winner Kristhyan Benitez

The Venezuelan pianist Kristhyan Benitez just won the Best Classical Music Album at the Latin Grammy awards 2021. 

Kristhyan began studying piano at the age of 4 in the Music school Emil Friedman in Caracas Venezuela. Not to mention that he has performed at prestigious venues such as Philharmonie Hall (Berlin), Davies Symphony Hall (San Francisco), Town Hall (New York), National Center for Performing Arts (Beijing), Ehrbar Saal (Vienna), Salle. Cortot (Paris), Amadeo Roldan Theater (Havana), Palace of Fine Arts (Mexico City) and the Ríos Reyna del Teresa Carreño room (Caracas).

When I was a child I attend to musical famous school ”Colegio Friedman” in Caracas, and a lot of friends started their musical career there.

Kristhyan Benitez was one of them, and actually, we study together in the same classroom. Twenty years passed, and today Kristhyan is one of the brilliant pianist leaders of the Venezuelan musical process and the continent… That’s how Jose Antonio Abreu, the founder of the Orchestra System of Venezuela, defines him.

For many people Kristhyan is considered, to be one of the best pianists of his generation, he has played with the Berliner Philharmonic, with San Francisco Symphony Orchestra, Miami Symphony Orchestra, to name a few.

Phillippe Entremont described Kristhyan: “His commitment, talent, imagination, drive, passion, and intelligence make Kristhyan an outstanding musician and performer.”

Kristhyan Benitez is part of a new group of Venezuelan musicians getting international attention, thanks to their commitment and hard work. 

Kristhyan Benitez's first album was Beethoven Piano Concerto No. 2 with the Berlin Symphoniker under the direction of Eduardo Marturet. He also released a second album: Miniatures in 2016, which made him win the bronze medal at the Global Music Awards. Nosotros his third album was released in 2020. Latin American Classics is his first album recorded by STEINWAY & SONS label.

"My God, I can't believe it!" Said Kristhyan when he received the gramophone. And he added: "Thank God, thank my family who is in Venezuela, thank my husband Juan who is here with me."

Kristhyan Benitez also thanked Feidner "For believing in Latin American classical music."

He dedicated it to the Venezuelan diaspora. ''Wherever they are, we can continue dreaming, we can continue to grow and leave the name of Venezuela high. Yes, you can!'' He declared.

In addition, Kristhyan appeared at the Latin Grammy ceremony with two of his nails painted yellow, as part of an awareness campaign on child violence.

Apple Music selected two of the tracks from Kristhyan Benítez's album, Adiós a Cuba y Córdoba, to be listed on The A List: Classical.

At the event, the musician faced the Latin Grammy with the conductor Jordi Savall, for Beethoven: révolution, symphonies 1 à 5, Jordi Savall and Le Concert des Nations; with Ney Fialkow and Hugo Pilger, by Claudio Santoro: a complete work for cello and piano; with Manuel Barrueco for Music From Cuba And Spain, Sierra: Sonata for guitar; and with Héctor Infanzón for Tres stories concertantes.

When did you start playing the piano?

I started when I was 4. My mom wanted me to play guitar but when I had to choose which instrument I wanted to learn and I decided I wanted to play the piano. I guess there was some ambition there because of the piano, was the biggest instrument in the whole room.

When did you know, playing the piano was your dream?

I had my first professional concert 3 months after I started learning how to play the piano. It has been always a part of me. I had it and I still have the love and cherish for the music I guess is imprinted in my DNA.

At first, a child learned the alphabet. In my case, I learned reading music instead.

Your first concert as a pianist was at the age of 4 in honor for the honor of maestro José Antonio Abreu, the founder of the National System of Youth and Children’s Orchestras of Venezuela. When you look back what do you remember from that concert, which marks you today as a musician?

Again, I was 4. The first time ever that I wear a tuxedo. Although I didn't even know how to walk with patent leather shoes I did my best. I remembered my mom telling that I was walking like a little penguin, haha. I played two pieces and when I finished the first time I turn to the audience, I smile, full of joy.

It was so natural for me. I would go back and do it again!!! It was truly the best night of life. For that moment on, Jose Antonio Abreu was a true believer in my talent and my capabilities as a pianist and he supporter in my career. I started performing a lot with the orchestras of El Sistema (the Venezuela Orchestra system). My first concert as a soloist with the orchestra was at age 7.

Where was the most significant presentation you had, and why?

I was 18 years old. I played Beethoven's Second Piano Concerto with the Berliner Symphoniker. It was a sold-out concert in the big hall of the Berliner Philharmonic, in Berlin, Germany, the most prestigious hall in the world. After that, I recorded my first CD at the Famous Siemens Villa in Berlin.

As a pianist with which artist, you would like to perform?

I admire deeply the legendary old school of Pianists. Horowitz, Rubinstein, Richter, and Cortot. Nowadays, musicians who are devoted to sending a message, inspired people with their art are the ones that move me. To name a few: Gabriela Montero, Martha Argerich, and Evgeny Kissin.

Who is your favorite composer?

Schumann is my all-time favorite. I relate to him on so many levels. His profound thoughts, his characterizations, his elevated soul. hopefully, I won't end up in a mental institution. Also Scriabin, because of his fascination for combining color and sound. And of course Rachmaninov, pure, raw and sincere passion.

Tell us about your last cd

My last CD is called "Miniatures" is an evocation of 9 little and rare jewels of classical music, performed on a live concert. Music from Russia (Scriabin, Lyadov), Mexico (Ponce) and Venezuela (Castellanos, Estevez, Nuñez).

What is your next goal?

My goal is to conquer the world with music. To make people feel again, be more human. To make them feel all different sensations, feelings. To make them change their mood, for better or worst, but to make them feel. In a world full of technology and isolation, I want to rescue what makes us really human. Also, I'm working on my third album, which is dedicated completely to my home country, Venezuela. The project is to bring people from the classical music world and for the pop/commercial world together in one place, through Venezuelan music of all time, and the acoustic piano as the connector element. A nostalgic homage to a country that once was the most avant-garde and prosperous country in the world, to his beauty, to his people. An album that will definitely touch your heart and elevate your soul.

To know more, about Kristhyan please visit: Kristhyan Benitez

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Photo credits: Ricardo Conté @ricardocontephoto

PHILIP MANN – THE DANDY AT DUSK AUTHOR

PHILIP MANN – THE DANDY AT DUSK AUTHOR

Philip Mann Author

Today we have a nice interview with Philip Mann. He was born in Germany and has lived in London since 1988, where he gained a degree in the History of Art. He has written for Vogue as well as for Frankfurter Allgemeine Zeitung and has lectured on matters of taste in Paris, Vienna, New York, Bern, and London. In 1994 he curated the Archigram group at the Kunsthalle, Vienna. He co-edited the anthology “Geld muss man in der Tasche haben, sonst geht das Schwein nicht aus dem Wege: Bittbriefe von W. A. Mozart bis Henry Miller” published by Berlin Press in 2008. He also contributed articles to various books including “Höflichkeit: Aktualität und Genese von Umgangsformen” published by Wilhelm Fink Verlag in 2002 and “Ernährungsgrundlagen für den leidenschaftlichen Trinker” published by Metrolit in 2013.

We talked to Philip about his book The Dandy at Dusk - Taste and Melancholy in the 20th Century and about his career as an author.

 

Philip, tell us about yourself: 

I was born in Germany but moved to London at the beginning of my twenties. I originally came to complete my higher education but ended up staying 30 years. Having neither the talent for making money nor the discipline to endure authority I ended up engaging with my aesthetic phantoms. A makeshift living at best but the only one I can manage.

Tell us about The Dandy at Dusk - Taste, and Melancholy in the 20th Century: 

The Dandy at Dusk is a book-project I embarked on late in the 20th century. A look back at the visual cultures I have seen and those that preceded them. Through its long gestation, the project has been through many guises. What has remained to the point of publication are the aesthetic biographies of the six tastemakers that have been most influential in my life: Adolf Loos, The Duke of Windsor, Bunny Roger, Quentin Crisp, Jean-Pierre Melville, and Rainer Werner Fassbinder.

How your degree in History of Art has influenced your career 

I went to university in the late 1980s and the course I followed offered - apart from straight History of Art - plenty of modules in Design and Film, which were and have remained my main interests. I was lucky to have extremely inspiring tutors some of which I am still in contact with. It was a course with a fairly Marxist bias and I feel privileged to have learned to look at aesthetic matters critically. Marx was right in stating that “being forms consciousness”, though I have found in my life that the opposite is also true. Being and consciousness are in a relationship that couldn’t be more dialectical.

Tell us about your experience with the anthology Geld muss man in der Tasche haben, sonst geht das Schwein nicht aus dem Wege: Bittbriefe von W. A. Mozart bis Henry Miller: 

As the title suggests this is an anthology of begging letters written by famous people in dire straits. While I am hardly famous I can identify with the latter. What remains in my mind are some recurring phrases “instead of paying you back the enormous sum of money I already owe you, I am asking you for more (Mozart)” and the amusing abrasiveness of debtors towards their creditors “The animal refuses me any more credit" (Marx).

To whom is your blog The Dandy at Dusk dedicated?

To anybody with a lively interest in lived aesthetics.

Why did you decide to be an author? 

More salubrious avenues didn’t seem to be open to me.

What does fashion mean to you? 

Fashion is best enjoyed in retrospect. The dandy pays attention to fashion only so he can studiously ignore it.

What is your favourite fashion period and why? 

My main aesthetic passion is for what the French call le trente glorieuses. The 1950s, 60s, and 70s of the 20th century will in all likelihood turn out to be the most enlightened period in the history of humanity. Right now we are not only living in a post-historical period as far as styles and fashions are concerned but worse in a period of pronounced political atavisms. My particular favourite, perhaps perversely, are the 1970s, the Hellenism to the classicism of the late 50s and early 60s.

To know more about Philip, please visit: The Dandy at Dusk

 

TRAVEL GUIDE: HOW TO TRAVEL IN TIMES OF COVID-19

TRAVEL GUIDE: HOW TO TRAVEL IN TIMES OF COVID-19

Travel Guide: How to travel in times of COVID-19

Recently I had the opportunity to travel to Lima, Peru to visit my family. Although I was a bit worried, about the whole COVID-19 breaking the world, I decided to take the chance and visit my family after 11 years without seeing them.

That’s why I prepare this little guide, to give you the best advice on how to travel around the world, in these difficult times.

First, to be honest, I waited to be fully vaccinated, and I also took an antibody test to be sure I built Covid-19 antibodies, that’s been said, let’s start with this guide, for you to be sure to travel as safe as possible for your next destination.

 

How to travel in times of COVID-19

1.- Be sure to inform yourself of the safety policies of the country you are to travel to. Not to mention, that if you are making transit in one country before your final destination, you also have to follow this country’s rules.

One of the requirements to travel was to till an entry form for both, the transit country and the final destination and a COVID-19 test not longer than 72 hours (antigen Test, PCR test is fine)

2.- Mask yourself! Every country has its own requirements when it comes to facemasks, be sure to inform yourself about the mask requirements in the transit country as well as your final destination.

3.- Be safe all the time. Therefore, keep with your disinfection wipes, and disinfection gel all time. Like this, you can pass the disinfection swipes on each surface around you like the airplane seat, table, etc., and you can disinfect yourself as well with the gel.

4.- Take a travel kit if you are travelling a long distance. Yes, a travel kit that includes the little pillow for your neck, the sleep mask, and the earplugs. Believe me, this is a lifesaver, and the best thing is that it doesn’t take that much space in your bag if you pick an inflated pillow.

5.- If you can travel just with your carry-on baggage, please do it. Because is easier, and you will save a lot of time because you will not have to check in at all. Believe me, travelling for 20 hours and save a lot of time making lines for checking in was the best decision I made. I understand it is not easy to travel with just carry-on baggage, but be sure to pack all the things you really need to really save space.

6.- Choose the shorter way. When you travel a long distance like I did, where I had to stop in Madrid, take another plane to continue to Lima, Peru, be sure to take the shortest way. I honestly didn’t want to travel more than 20 hours, so I picked a fly ticket where I can stay in transit just for 2 – 3 hours.

I also looked for a ticket with one-stop, because with all the different country entry requirements, I didn’t want to get a complicated journey.

7.- Don’t forget the re-entry requirements when you fly back. Yes! That’s important that means you will have to take a COVID-19 test in the country you are visiting (again Antigen or PCR not older than 72 hours) The entry formula for the transit country and your final destination.

Travel Guide: How to travel in times of COVID-19
Travel Guide: How to travel in times of COVID-19

Travel in times of COVID-19 was definitely a challenge. Especially if you travel a long distance because you will have to wear a mask or 2 masks depends on the country requirements for the whole travel.

I also found a lifesaver to travel in these times, just with the carry-on bag instead of an extra suitcase. This will save you a lot of time, and you will not have to wait in line at all, especially if you are travelling a long way.

The best thing you can do to be safe (and this is my personal opinion) is to get vaccinated and take an antibody test to be sure you build enough antibodies; this gave me a bit of relief before my travel. I also tried to stay as safe as possible in Lima, so try to be responsible not just for your save but for the save of others…

 

LINGERIE DESIGNER DANIELA PARADEIS

LINGERIE DESIGNER DANIELA PARADEIS

Lingerie & swimwear designer

Daniela Paradeis is a fashion designer from Vienna, Austria. Daniela is a lingerie & swimwear designer who designs eco-friendly, unique, and limited editions for your everyday luxury. She is inspired by vintage styles with a contemporary, yet feminine vision, every single piece is designed and manufactured in Vienna, Austria.

Not to mention, that from hand pattern drafting to final individual finish, the detail that goes into every piece, makes Daniela Paradeis lingerie & loungewear exquisitely exclusive. Every single piece is made to order, which means each item is made especially for you!

Daniela Paradeis is fair, vegan, and sexy. But also her lingerie & loungewear is incredible. All the products are made of carefully selected, European deadstock materials and are not only sweatshop-free but animal-free as well.

We talked to Daniela, about her career as a fashion designer, what inspired her, and how did she start.

Daniela is part of the Austria fashion initiative: #wirsindzusamme ( we are together)

The initiative #wirsindzusammen was launched by Marcos Valenzuela to unite creative people in Austria and to develop projects among creatives. These projects are intended to contribute to rapid development in order to get out of the crisis caused by the pandemic more quickly. In addition, the initiative is intended to invite the government to recognize the enormous potential that creatives in the fashion world in Austria can offer the country. Over the course of the year since its inception, the initiative has focused more on projects related to the fashion world in Austria.

Lingerie designer Daniela Paradeis

When did you know you wanted to be a fashion designer?

When I only dressed my Barbie dolls for the occasions I made up in my head, never really actually playing with them.

What’s it like being in the fashion industry?

It’s a challenge that keeps on giving when you know what you stand for and where you are good at.

How is the fashion industry in Vienna?

The fashion industry in Vienna is often ignored, sometimes neglected, but when discovered, always dearly loved

Lingerie designer Daniela Paradeis

What was your first job in the fashion industry?

I spent my first month as a fashion intern cutting fabrics in squares and sticking them to cardboards.

Talk about the changes in your life since you’ve started your own label.

I definitely work more than before, but I definitely love my job so much more than before. Even after 6 years, I can hardly believe that I get to do every day what I absolutely love to do.

Lingerie designer Daniela Paradeis

How do you choose your inspiration?

I don’t choose inspiration, inspiration chooses me;) Every single one of my customers gives me new inspiration for their new pieces.

In one word, how would you define yourself as a designer?

Curious.

What advice would you pass along to those starting in the Fashion Business?

Learn everything as much as possible from scratch and be kind to others.

To know more about Daniela, please visit: Daniela Paradeis

Photo Credits:

Kaya and Clark

STEVIEROY FASHION PHOTOGRAPHER

STEVIEROY FASHION PHOTOGRAPHER

Fashion Photographer

For those of us longing for our days in the sun, still unable or reluctant to travel overseas to lands where heat and bright light are guaranteed, life in Yorkshire can seem a little overcast.

So it was that one gang of Yorkshire creatives decided that, since they could not hit their favourite hot spots, they would create their own with a mood-lifting, joyful, riotously colourful fashion shoot in downtown Leeds. 

“We were all on the same page,” says Rachel O’Dell, an international fashion and wedding make-up artist based in Horsforth. “Steve said, ‘Everything is so dark, I really need some colour’.”

Fashion Photographer Stevieroy
Fashion Photographer Stevieroy

Steve is Steve Roy Cockram, known professionally as Stevieroy, a portrait and fashion photographer and the owner of Brussels Street Studio in Leeds, which has been purpose-designed for fashion, beauty and product photography. As well as taking his arresting images - his work has been published in Hello Fashion, Grazia, At Home, Wallpaper, Dwell and many of those airline magazines you might find in the flap in front of your cabin seat (ah, those were the days) - Steve also mentors students and working photographers at his studio.

Determined to bring colour back into his world, he gathered together a team of professional fashion creatives: make-up artist Rachel;  Bradford-based fashion stylist Trudy Fielding (otherwise known as Trudy Beau, owner of retro fashion store My Vintage Beau); and the two Graces, AKA Grace Butler and Grace M, models with Industry Models, which has branches in Leeds and Manchester.

Trudy put together the fashion side, carefully choosing vibrant, statement clothes and accessories from the SS21 collections of high street favourites Zara and H&M, mixed in with striking pieces from her own My Vintage Beau range of retro one-offs. She specialises in mixing and matching new fashion finds with old, to create truly individual looks.

“Through the pandemic, fashion has been very low key with an emphasis on comfort and loungewear,” she says. “As people have had nowhere to go, there has been a huge lack of creativity. This shoot was a punch of colour to hopefully give consumers ideas to brighten up the rest of the year.”

Make-up was key to capturing the sunshine and the richness. “I really missed travel, and the colours that you see when you are abroad,” says Rachel. “That look on Grace B is quite Moroccan, using colours that you just don’t see in the UK. So it was about the total desire to be travelling again and bring some fun and lightness back into the world.”

That vibrant waterproof primary blue eyeshadow is by Danessa Myricks. “She specialises in highly pigmented colour and is renowned for glowy skin. It’s high fashion,” Rachel says, adding: “The lip colour is by Violette French. She spent years trying to perfect the perfect red.”

Make-up, admittedly, has not been at the top of most people’s agenda during the pandemic, but that is set to change. “Some people have completely abandoned it and are rediscovering it,” Rachel says. “Healthiness and glowiness are still a big thing, but there is also a lot more experimentalism and a devil-may-care attitude. There is a huge look back to ‘70s and ‘80s, but making it our own.”

The models from Industry in Leeds were selected especially to suit the shoot’s theme, says Steve, adding that Grace B is an actor and dancer and Grace M studies International business.

And safety was paramount. “Thankfully, Brussels Street Studio is large enough to adhere to the Government Covid guidelines distancing measures, and sanitiser stations had been.

If you want to know more about Stevieroy, please visit his Stevieroy